A Night of Fire, Filth, and Melodic Mayhem

In a night where shadows reigned and infernal melodies echoed through the halls, the Temple Theater became a sanctum for the damned—and the devoted. The evening began with the blazing fury of Uada, the Pacific Northwest’s emissaries of melodic black metal, cloaked in mystery and flame. But the darkness only deepened as Cradle of Filth emerged from the mists of gothic grandeur, bringing over three decades of theatrical extremity to an American stage once more. From burning riffs to baroque horror, the night was an unholy communion of past, present, and blackened bliss.

UAda:

From the depths of the Pacific Northwest, Uada brings the crowd a taste of pure melodic black metal to the masses. Engulfed with purging fire, the four-piece hooded clad demons lead the assault on the Temple Theater stage, opening the night of true metal bliss. The sermon included hymns like "Cult of a Dying Sun" and "Black Autumn, White Spring," completely sending all into cosmic euphoria.

Cradle of Filth:

Spanning over 3 decades of extreme metal, Cradle of Filth descend upon America from England in support of their latest offering, 'The Screaming of the Valkyrie'. Starting the show with one of the newest songs, "To Live Deliciously," and from the debut self-titled track "The Principal of Evil Made Flesh," and others from a vast catalog. Founding member Dani Filth takes you into the realm of horror, madness, mythology and of course Filth through poetry, Gothic literature in his lyrics.

The band throughout the show was completely active towards the crowd, giving everyone a great experience they'll remember. The lighting, stage presence and intensity that the music resonates through years of macabre.